It's summertime! That means, among other things, that I get to read my little eyes out. I have been going on many other adventuresome adventures, and soon pictures will be at hand, but for now, feast your eyes on these first seven books of the summer:
№1. Rogue River Journal: A Winter Alone · · · · · · ·
· · · · · · · · · · · · · · · · · · · · · · by John Daniel (6/11/2012)
I’m FREE! I’ve finished my FIRST YEAR of grad school
and I didn’t go mad with the stress of it all.
(At least, I hope I didn’t…*uncontrollable twitch*…) After a whirlwind drive home, another long
drive to a quick wedding where I said HI and BYE to a million people I haven’t
seen for a million years, and suddenly finding lots of relatives were also
getting home at the same time I was, all I’ve wanted to do is sleep, watch
LOTR, practice the banjo, and sleep. And
read! I haven’t read a book for fun
since I got back from Singapore so many months ago, and I’m drooling over my
TBR shelf. Book #1 off said shelf: Rogue
River Journal: A Winter Alone by John Daniels. The author came to Linfield several years ago
and did a reading (as authors are wont to do) and I was suitably
impressed—enough to go to Powell’s and buy a new copy of his book. I read the first chapter or so and promptly
forgot all about it. Ever since then,
I’ve carted the book all over the world (I think it went with me to Ecuador,
Wyoming, Germany, Montana, Spain, and back to Oregon again) and it’s been
staring at me balefully from the shelf.
I’d remembered the first couple chapters weren’t exciting enough to
warrant a re-read, so I cracked it open to where I’d left my bookmark, and
*YAWN*… I hadn’t thought it was that
boring. The premise of the book is that
Daniels goes off to a cabin near the Rogue River for a winter to contemplate
his life, his father, and nature (à la Thoreau), so he ends up just sitting in
a cabin and talking about himself.
Which, I suppose is usually the point of a memoir—you talk about
yourself, or, if you’re Frida, you paint yourself—but usually you have
something Fascinating for the rest of us to Ooh over, instead of just talking
about your rough relationship with your brooding father. I’m assuming that John Daniels is a great
writer and that I would have loved this memoir in a different time in my life,
but right now, this book’s ponderousness is not my cup of tea. All I’m up for is a beach read. ? out of 10.
®2. Name of the Rose · · · · · · ·
· · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · by Umberto Eco (6/16/2012)
This was
another book that I started hace años, but I accidentally left it at a friend’s
house for a couple of years.
Whoops! As soon as I got it back,
I re-read the first part and devoured the rest.
This book was published in 1980 in Italian and is seemingly experiencing
a resurgence in English—I saw tablesfull of it at Costco—which is
well-deserved, think I. Name of the
Rose is set in the 14th Century in an Italian monastery, and
there is a series of murders. What
ho! Medieval Times! Italy! Murders! This
must be good. We follow the narrator (a
bumbling novice monk) around the abbey, searching for clues and forming
hypotheses. The book was written by a
professor of semiotics, and it shows.
The author spends pages making the narrator believable, as well as
giving us readers the minute details of scholarly debates that were happening
within the Catholic Church in Ye Olden Days.
All of this happens to be quite interesting, but, as I said in my review
of the previous book, I’m more interested in the beach-read genre at the moment,
so let’s ramp it up with the murder mystery!
Luckily, this book provides excitement in frequent supply. Over the course of the story, seven monks die
(I’m not giving anything away here, I swear; this is all on the back
cover). Grab hold of your habits, O
Reader, and pick this book up along with your giganto packs of frozen coconut
shrimp at Costco. 7 out of 10.
®3. Mañana, Mañana · · · · ·
· · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · by Peter Kerr (6/19/2012)
Having lived
for a year (well, eight months, but who’s counting?) on Mallorca, I’m happy to
read about my temporary home. This book
was written by a Scottish chap who, along with his wife and two teenage sons,
bought a small finca (farm) on Mallorca with the intention of settling
down. He narrates charmingly the family’s
first summer on Mallorca, although with the amount of anecdotes supplied in
order to make this book readable, I’d imagine that a lot more summers’
adventures were condensed into this particular literary-worthy emblematic
summer. If you haven’t lived on
Mallorca, then I’m not sure how you’ll react to this book (although reviewers
apparently thought it was better than A Year in Provence, which
similarly details an Englishman’s settling into southern France). In Mañana, Mañana, I loved hearing
about bits of the island that I’d learned to treasure. Apart from the author’s rather terrible
mallorquín, the book gave a loving and accurate portrayal of Mallorca about a
decade ago. 6 out of 10.
®4. The Earth Speaks · · · · · · ·
· · · · · · · · · · · · · · · · · · · · · · by Steve Van Matre and Bill Weiler (6/30/2012)
O,
Nature! What are men compared to rocks
and mountains? What are mountains
compared to the odes literary men have composed to them? This beautiful book is bursting with quotes
and poems encouraging us all to fall in love with our Mother Earth. I have composed an entire ranger program
around this book, and here’s one of the quotes that has so inspired me:
“This grand show is eternal. It is always sunrise somewhere; the dew is
never dried all at once; a shower is forever falling; vapor is ever rising.
Eternal sunrise, eternal dawn and gloaming, on sea and continents and islands,
each in its turn, as the round earth rolls.” —John Muir
®5. King
Hereafter · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · by Dorothy Dunnett (7/12/2012)
I normally
don’t write about re-reads here because, by the second time around, it’s too
hard to capture the emotions of a first encounter with a book. However, Dorothy Dunnett’s works are
intricate enough to make each re-read surprising and enjoyable. This is the second time I’ve read King
Hereafter, a standalone book (as compared to her fabulous Lymond and Niccolò
series), that combines all Dunnett’s gift for rich detail, plot twists,
character development, and the re-creation of the historical worlds she has
chosen. In this particular book, our
hero is Macbeth, fabled King of Scotland (whose story bears no resemblance to
that of the sly and evil protagonist in The Scottish Play). We travel to Scotland before it was known as
Scotland, journeying through the Orkney Islands, Norway, Denmark, Germany, and
Rome in the early years of the 1000s.
There are hints of a Norman future for England, but as of yet, the world
of Northern Europe is full of Norsemen and Irishmen, of factions that have all
but been erased throughout history, and of men who go a-viking in dragon-prowed
longships. As fascinated as I always am
by Dunnett’s clever wordplay, I feel that her writing got too clever for
me. She wrote the Lymond Chronicles
first, and they still stand as some of my all-time favorite books. King Hereafter came next, followed by
the Niccolò series, and Dunnett’s writing grew more and more opaque with each
passing book. King Hereafter
paints a wonderfully rich picture of the turmoil in the northern part of the
world at the turn of the last millennium, but it is a picture I feel I am
looking in on from the outside, and I have to admire her glittering masterpiece
from a distance. For that, I have to
knock a point off a Perfect 10, but this book truly is a magnum opus. 9 out of 10.
®6. The
Passionate Fact: Storytelling in Natural History and Cultural Interpretation · · by Susan Strauss (7/15/2012)
At work, we have a wonderful library full of books
to help inspire us to become better interpreters. Several such books deal with storytelling,
and since I’m trying to add a bigger element of storytelling in my ranger
programs, I’ve started perusing these books.
The Passionate Fact has a rather unfortunate title (it hinges
around the idea of basing a story off one fact that you care passionately
about) but is a wonderful little book full of inspiration and insight. 7 out of 10.
®7. Here
Be Dragons · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · by Sharon Penman (7/17/2012)
I have been on a historical-fiction kick
lately. After reading about Scotland in
the 11th Century (see King Hereafter, above), Wales in the 12th
Century seemed like a perfect sequel. Plus,
Sharon Penman is known for a series recreating the Napoleonic Wars … PLUS
DRAGONS! How awesome is that? Who wouldn’t want to go fighting the French
ON A FUCKING DRAGON? However, Here Be
Dragons is not said series, and has only symbolic dragons, and I was sorely
disappointed. Reading Sharon Penman
after reading Dorothy Dunnett is like reading Christopher Paolini after J.R.R.
Tolkein; it’s like trading an ocean for a sandbox. The plot is ploddingly simple, but Penman
tries to shake it up a bit by jumping from year to year, from narrator to
narrator. All of the narrators sound the
same, however: naïve and petty, no matter if it’s the King of England or a
6-year-old. Because each chapter takes
place in a different year, we just have to assume each person gets older as the
numbers turn, without seeing any evidence of character development in the
writing. And the writing! Ye gods, the writing. Hear me, O Aspiring
Historical Fiction Author: Just because this is Ye Olden Times does not mean you should throw in “mahap”s
and “wroth”s whenever you feel like it. (They
were speaking Middle English, Middle Welsh, and Old Norman, anyways, so your
fancy words really are just stupidly extraneous.) Sentences such as the
following will earn you a shunning: “I
know not with whom my mother’ll be more wroth, me or my Uncle Gruffydd…”
(p. 28). Seriously, seriously, that sentence deserves a sharp kick in the nuts. Here’s another passage that got my goat; in
the following, one of the main characters is thinking of Eleanor of Aquitaine:
“She knew she should only feel disapproval toward a wayward wife, a rebel
Queen, but she was aware, instead, of a sharp, piercing regret, an ache for
that wild spirit caged at last within Salisbury Tower” (p. 143). Wild spirit, indeed. And again, just because this is Ye Olden
Times, you do not need to give narrators olden-ish Thoughts just to make sure
we readers understand these characters Think Differently Because They Are Not
Of This Millennium, and then suddenly undermine said Thoughts to make the
narrator Relatable And Believable for us modern-day, easily gullible readers. 2
out of 10.