®21. All the Pretty Horses · · · ·
by Cormac McCarthy (3/25/2012)
Ohmygoshyouguys. Cormac McCarthy blew my mind and I haven’t
found all the pieces yet. Because I’m in
a state of verbal inadequacy, I’m going to simply copy and paste this lovely
review from Lara at goodreads: “McCarthy pares his descriptions down to the purest bones, and then, as
if all that surrounded it was the shrapnel of a shattering revelation, lays
down a jaw-droppingly astonishing sentence that sums up good, evil, man, God,
love. The best and worst in men are
inseparable in McCarthy's worlds, which are so exactly imagined as to be
indisputable. John Grady Cole is one of the most memorable heros in contemporary
literature. This one makes me
want to ride out across the dust.” 8 out of 10.
®22. Brave New World · · · ·
by Adolus Huxley (3/26/2012)
Another classic. *yawns, leans back in chaise
lounge and tosses book gaily over shoulder.* Seriously, I feel like the only
place to read this book would be reclining in the lounge in 1932. This book must have been the shiz in the 30s, but now, it just seems flat. There’s really no plot development, there are
no non-stock characters, and the descriptions of the dystopian world become
repetitive and boring after the first ten minutes of reading. Although those first ten minutes really are a
trip: in this world, the dictatorial government uses happy drugs and playful
sex as world-domination tools, and grows people in labs in batches, and
purposefully stunts the growth of people in lower social classes, and uses
sleep hypnosis to convince people that they really are truly happy with their
lives. It’s a WEIRD, cool idea, but the
idea can be summed up in one sentence, instead of dragging it out for an entire book. 5 out of 10.
®23. The Bean Trees · · · ·
by Barbara Kingsolver (3/27/2012)
This is a warm story about the beautiful absurdity
of life, about mothers and daughters, and about the human condition. This book reminded me of many magical realist
short stories, and the sense of bemused amazement as we follow the characters
through life’s unexpected twists and turns is infectious. Mini-synopsis: The heroine begins with giving
us readers a clear-eyed account of Kentucky and her desire to leave it. She eventually does, driving West and
searching for a new place to begin.
Somewhere in Oklahoma, somebody gives her a baby. In a blurb like this, saying “somebody gives
her a baby” just sounds trite and soap-opera-y.
Kingsolver, wordsmith extraordinaire, is anything but trite, and this
baby turns out to be the most central, most joyous part of the whole book. This new ersatz-mom stops driving in Tuscon due
to other random circumstances, and there her new life (+ baby) begins, and she
starts to learn about the mixed misery and joy that humans put each other
through. 8 out of 10.
®24. The Color Purple · · · ·
by Alice Walker (4/1/2012? or perhaps 3/31/2012—I was crossing the date line)
Man, oh man.
(Or, as my roommate says, Woman, oh woman.) This book is incredibly powerful, and
narrates a journey so despairing and joyous that you’ll cry for America. Walker explores themes of race, misogyny,
poverty, incest, rape, motherhood, heteronormativity, religion, creativity, and
love, just to name a few. Here’s an interview
with Walker on BBC
that has some fascinating stories about how she went about writing the book,
and the world’s reception to it. 9 out of 10.
®25. Enduring Love · · · ·
by Ian McEwan (4/1/2012? or perhaps 3/31/2012—I was crossing the date line)
You know how you read the best book by an author, and how after that every book from the
same author pales in comparison? Atonement
was such a complex, multi-leveled book, with a riveting plot, that although Enduring
Love was undoubtedly well written, I couldn’t shake the feeling of slight
disappointment. Come on—is two masterpieces too much to ask? However, McEwan does craft a compelling
narrative in Enduring Love, and his writing is as lyrical as ever. Love, respect, obsession, and identity are
all major themes of this book, which chronicles the changes a freak ballooning
accident wreak on one man’s life and once-stable love. 7 out of 10.
®26.
Lolita · · · · · · · · · · by Vladimir Nabokov (4/3/2012).
Reading Lolita on the bus gives you two
reasons to be disturbed: 1) pedophiles, and 2) motion sickness. (Another reason to be disturbed: People in
Portland like to comment on what their bus neighbors are reading. I know
everyone sees me reading Lolita.
I know it’s a classic that
everyone should read at some point in their lives. That doesn’t stop me from wanting to hide it
far, far away from my bus neighbors’ prying eyes—shoot, now I’m talking about
it like it’s porn—it’s just that it’s narrated by a pedophile who has erotic plans
for his stepdaughter, ok YUCK YUCK YUCK I’m stuffing it into my backpack.) With all that aside, Lolita is a very
good book. It has many themes tucked
between the covers, such as societal mores and social expectations, and is
kind-of like The French Lieutenant’s Woman taken to an extreme. And the
writing really, truly is
excellent. A lovely quote by Nabokov
about the book: “…an American critic suggested that Lolita was the
record of my love affair with the romantic novel. The substitution ‘English language’ for
‘romantic novel’ would make this elegant formula more correct.” Various
snippets of comments online: “a tour-de-force of style and narrative” and
“wantonly gorgeous prose” (the amazon.com review is beautiful in its own right). The writing is beautiful, the narrator is
fantastically unreliable and could serve as a model for any creative writing
class to strive for, and you are tugged along, unable to put the book down,
even as the bus halts at your stop. 8
out of 10.